Carol, thanks for asking me to tell you something of the background to writing Only One Woman with Christina Jones. I didn’t want to repeat other interviews and pieces I’ve written, so even though I’m writing about writing the novel, I’ve decided to go ‘off the beaten track’ somewhat.
Our novel begins in 1968 in a rural community in England at
the height of the Cold War and the Swinging Sixties, where one of our main
characters, Renza, lives with her many siblings and domineering mother. Her
father is working overseas and the family will join them in the summer.
Renza is 16 and a music fan, she lives for Top of The Pops
and Radio One. There’s little else to bring her joy; she has few friends and
her time is spent mostly looking after her siblings and helping her mother. And
then Scott, lead guitarist with Narnia’s Children, enters her life. I won’t
give the plot away but suffice to say that writing about Scott and Renza was
like flashing back to my own youth, in many respects.
The story is fictional but the locations for the music
venues (gigs) and many of the bands and music mentioned, is based upon real
places and musicians. Many are still around. Others are a complete figment of
my imagination and have been based upon a combination of musicians I’ve known
and situations I’ve experienced during my many decades involved in the music
business – write what you know they say.
As some of your readers might already know, I’m married to a
musician whom I met when I was 16. Eventually we went into artiste management
-musicians, singers, and song-writers and record producers - internationally. I
could write several books about our life working in the music business and I
guarantee it would make your hair stand on end. Some of my crime stories hint
at it.
All my experiences garnered as the girlfriend, later wife,
of a musician living through the crazy, amazing time which was the 1960’s, have
been pillaged and plundered whilst writing Only One Woman. Mixed with our life
experiences later-on, working with mainly male musicians, it was easy to write
what I’m told has been a realistic description of life with, and as, a
musician. Both Christina and I used our experiences, of course. She was, in real life, the fan-club secretary
to my husband’s band - which is how we know each other. She wrote Stella using
some of her experiences with the band, I am sure.
Back to 1968 and my husband’s band who’ve been such a great
source of material for me over the years. I took various events during 1968/69
and stretched my imagination and used loads of poetic license when writing
various chapters. For example, the other band managed by ‘Stephan,’ is based on
a real band and they did indeed make their lead singer’s life hell back stage
and on stage. They were mega successful and their records are still played
today. Back stage was a nightmare – open warfare - when his band (named for him
by the way) wanted to have a go at him. Remember the stories about Roger Daltry
and Pete Townsend (The Who) fighting back stage and in hotels – physical fights
– well, this was how it was with ‘Stephan’s’ other band. It used to get so
violent threats of calling the Police was about the only thing to stop them
killing him. And on stage they were horrid to him in front of audiences; they’d
mock him, berate him, and often left him singing with his microphone switched
off for ages before it dawned upon him. Wonderful material for a writer, but
actually how dreadful to be in a band like that. All bands fall out of course,
but I’ve never experienced anything remotely like that since.
‘Narnia’s Children’ had an army of faithful – mostly female
–fans following them up and down the country, covering their van (Bessie
Bedford) in lipstick messages and writing quite salacious fan-mail to them,
which, going through my husband’s memorabilia containing similar material, I
delved into for my research for Only One Woman. I found it quite sad reading
them, all these decades later; letters filled with such love and optimism and
joy. What were those girls doing now? Did they find happiness with another
‘rock god,’ or did they settle for Fred from the local Council road crew? Some
followed the band for years and would show up at gigs, album launches and
autograph events, knowing everything about the band, or their desired musician,
whilst the band knew little or nothing about them other than their names and by
then, familiar faces. Wives and girlfriends of the band kept a low profile as it wasn’t ‘cool’ for
them to be seen or for the band to be ‘taken,’ and the record company and
management went to great lengths to keep up the pretence of the band being
‘available and attainable.’ Such tosh,
and no-one really believed it I am sure. Nowadays, does anyone care if their
adored band or musician is married or has a partner? I think not.
The scene in Only One Woman, at the Army camp, where
Narnia’s Children are playing when Renza is confronted by hordes of female fans
all throwing themselves at Scott, was quite common. Many confrontations took
place in the loos at these events, and the one with the two female soldiers
actually happened, to me.
The after gig party is written from memory of several such
parties over the years. The fashions and music have changed but the ingredients
all making up the ‘party’ at the support band’s home – or ‘dump’ as Renza
called it – could have happened any place, anywhere in the world, any time
since.
Quite a few ‘group’ vans – in the late 1960’s - were to be
seen regularly driving through towns and villages on the way to gigs in venues,
large and small. One could pay to see several Chart topping bands and singers
for next to nothing and without all the booking nightmares of recent times. The
live scene was vibrant and varied. Bands didn’t have such an entourage with
them, no security – unless you were The Beatles etc – and access to them was
unfettered usually. A fan could walk into a dressing room (or what passed for
one back then) and even turn up outside the band’s home with ease. It was not
unusual to find a half-naked girl in the dressing rooms so the band told me
many times. I wasn’t surprised.
I recall bumping into various fans who’d managed to secret
themselves in the back of the van, hidden behind the drums and stacks
(speakers, amps etc), only to be discovered upon reaching home as the van was
being unloaded by the roadies. Few people had phones at home, there wasn’t
internet, so unless someone was near the local phone-box there was no way to
call a taxi for them or to notify their families that they were safe and well,
often hundreds of miles from their homes. The fans came into the band’s home,
were fed and watered, and sometimes allowed to sleep over, until the roadies
could get them to the nearest bus, coach, or railway station and sent home. In recent
times ‘security’ check the trucks (no vans these days) for stow-away girls and
of course, illegal immigrants. How times have changed. And of course bands no
longer get in to their Ford Transit or Bedford van to drive all over the
country and Europe; most fly or travel in tour buses. I must admit I do prefer
the latter forms of transport. Vans were fine back when, but these days comfort
wins every time over the ‘fun’ of slumming it on the road.
I could ramble on forever about ‘those days,’ but I won’t.
If you are curious about the life and times of a UK band in the late 1960’s, do
please consider reading Only One Woman. And if you do, please let us know what
you think. Better still, leave a review on Amazon and GoodReads for others to
read – every little helps.
Jane Risdon
The Paperback
(Worldwide) and Audio will be published May 24th 2018 for stores and
libraries etc.
Renza’s
Diary
June 29th 1968 – Merryhill Base
The gig was amazing. It was packed – lots of kids and soldiers of
course – full of screaming girls, so noisy. Scott’s band was the star
attraction, having come from overseas (well, Jersey), and, as Rich told me
during the evening, they had proper management and an agent, plus as well as
writing their own songs, they had songwriters working for them too. Serious stuff.
Narnia’s Children, I soon
discovered, were professionals, unlike the support act, The Fulcrum, a local
amateur band looking for a record deal but so far hadn’t got any interest. They
had a big local following, but Scott’s band had a national following and some
fans came to all their gigs, wherever they played. It was great, learning all
this. Rich said that Narnia’s Children even had several record companies
interested in them and there was talk of overseas tours, and they were recording
soon with a famous company. They had lots going for them. Going to one of
Scott’s gigs for the first time was so thrilling – and I basked in the glory.
Mind you, it had got a bit scary
when I went to the loo. Being an Army base there were lots of women soldiers
and I have to say some of them were real hard cases by the look of them.
Anyway, I found my way through the heaving crowd to the ladies and waited in
line for a cubicle to become free. Several mini-skirted girls were ahead of me,
chatting and giggling and discussing which one of the band they fancied and
which one they were going to get off with given half a chance.
There were a couple of female
soldiers behind me, chatting and passing remarks about the girls in front. I
didn’t think anything of it. I’d been thinking about how sexy Scott was, the
way he held his guitar so low and moved on stage.
The girls in front of me went into
the cubicle and one of them shouted to me to hold the door because the lock was
missing. I grabbed the door as best I could and tried to keep it shut. But all
the time she chatted to her mates about how she fancied Scott and went into
great detail about how she thought he was eyeing her up all night and how she
was going to go backstage and make a play for him. Over my dead body, I thought,
and was tempted to let go of the door and expose her.
‘Are you going to be all day?’ I
wasn’t going to hold it much longer and all the other cubicles were full so
this one was going to be mine, if she ever came out. It sounded like Niagara
Falls on the other side of the door.
‘Go play with the traffic,’ came
the reply. Girls tittered behind me.
‘Come on, you’ve been in there
ages. What’re you doing?’ said the soldier behind me. ‘Need any help?’ Everyone
laughed again.
The door flew open and a Phyllis
Diller look-alike shoved past me, giving me the evil eye.
‘No chance,’ I muttered, thinking
of her plans for Scott. Before I could move she turned and pushed me into the
cubicle. ‘It’s all yours.’
***
I turned to the soldier behind and
asked her if she would hold the door for me, at which she smiled sweetly and
nodded. Her friend giggled. I was getting myself organised when the door flew
open and the two soldiers stood grinning at me.
‘Please shut the door,’ I said, my
hipsters almost at my knees. I held my hand out to push the door closed again,
but the blonde soldier who had agreed to hold the door pushed the door open
again.
‘Don’t be unfriendly,’ she said,
moving closer to me.
‘What?’ I moved as far away from
her as I could in the tight space and nearly toppled into the loo.
‘Please go away.’ My hipsters fell
around my ankles.
‘You want to be nice to us, don’t
you?’ Her tubby freckled faced friend was trying to get into the cubicle as
well.
‘What are you on about?’ I started
pulling my hipsters up. ‘I want to leave, let me leave.’
I felt threatened. I couldn’t
understand what I had done to upset them. I didn’t think I’d been unfriendly,
why did they want me to be nice to them? I struggled to zip my hipsters up and
tuck my skinny rib in.
Something about their faces and
their stance made me frightened and I could feel my heart pounding and my face
getting red. I tried to get past again, but they blocked my way and the blonde
one made a grab for me. She got hold of my shoulders and pushed me against the
wall, as her friend tried to get in far enough to shut the door, but thankfully
the space was too small for the three of us.
‘What do you want?’ I yelled at
them, struggling against the hands holding my shoulders. ‘What have I done to
upset you?’
My captor laughed and bent her
head towards me. The penny suddenly dropped: bloody hell! She was going to kiss
me. Oh my God! My mind went blank with shock. I turned my head away and my hair
covered my face.
She grabbed my head and forced it
round and her friend leaned over and pushed my hair out of the way. She grabbed
my left boob and squeezed. I struggled and kicked and yelled at the top of my
voice, ‘Help! Help!’
The tubby girl looked over her
shoulder and checked no one had come into the loo. Then she held my face in her
hands whilst her friend tried again. I twisted and turned and wriggled about, I
was in a panic. I couldn’t for the life of me think why they were doing this to
me. At first I thought they were going to beat me up, I’d heard about girls who
did that to other girls, but kissing me!
That was really weird.
‘Scott! Scott!’ I yelled at the
top of my voice, though how he could help me in the ladies loo, I had no idea.
‘Shut up you stupid bitch.’ The
blonde girl twisted her face up and grabbed my hair, pulling it really hard. I
yelled louder, the pain was terrible.
‘Hey, what the hell is going on in
there?’ a female voice asked from the other side of the cubicle wall, and both
girls stopped and stood quiet.
The blonde one put her hand over
my mouth. I thrashed about with my legs, kicking her and biting her hand. She
yelped and jumped back, her hand falling from my mouth.
‘Help! Please help me,’ I shouted
and kicked out again so that the two girls had to back out of the cubicle to
avoid a good shin kicking.
‘What is going on in there?’ the
woman outside shouted again. ‘I’ll get someone to sort you out if you don’t
stop it and come out.’
‘I’m being attacked, please get
help,’ I yelled as my assailants backed out of the cubicle and left me, panting
hard and holding on to the wall for support.
I heard the door bang as they left
and a middle-aged woman appeared in the door.
‘Are you OK, love?’ she asked
kindly, holding her hand out to me. ‘They’ve gone now. You can come out.’
I took her hand, emerging slowly,
looking around to check they’d really gone.
‘What on earth was going on?’ the
woman asked.
‘I don’t know,’ I trembled, hardly
able to get the words out. ‘They forced their way in and grabbed me and tried
to kiss me… I don’t know why they’d do that. I was terrified.’
‘Well, they’re gone now so don’t
worry anymore.’ The woman smiled at me kindly. ‘They won’t try it again,
they’ll get into serious trouble if they’re reported.
I was still bursting to spend a
penny (well more like half a crown by now) and the woman held the door whilst I
relieved myself. What Mum would call the ‘Relief of Mafaking’ whenever she was
that desperate to go.
Hang on whilst I go to the loo and
I’ll come out with you and check they really have gone.’
‘Thank you.’ I held the door for
her, my heart at last beginning to slow. ‘You with anyone, love?’ the woman
asked, pulling the chain. The door opened and she came out moving towards the
sinks.
‘My boyfriend’s in the band,’ I
said and stopped her trying to wash her hands before she tried the taps. ‘Nothing
works.’
‘Ah, thanks.’ She opened the door
to the hall and the noise of the crowd and the support band nearly deafened us.
She looked around and then beckoned me out. ‘All clear love. You go and find
some friends and stay with them.’
‘Thank you so much,’ I shouted as
she walked away waving over her shoulder.
Music has played a large part in Jane's life and she uses her knowledge and love of it in the novel, 'Only One Woman'.
Jane Risdon Bio:
Following a career in the International Music Business I’ve turned my
attention to a life-long ambition – writing full-time.
Now I fill my days writing and concentrating on developing my own career
instead of those recording artists, song-writers, and record producers whose
careers filled my every waking moment for decades.
I write Crime and Thrillers mostly and have been published in numerous
Anthologies, Online Magazines and Newsletters.
In addition to my short stories and crime novels,
(I’ve broken away from a life of crime – only temporarily)
I’ve co-written a novel
ONLY ONE WOMAN
with best-selling and award-winning author
CHRISTINA JONES
published on 23rd November 2017
worldwide
by Accent Press
Links:
Author Page: https://www.amazon.co.uk/-/e/B00I3GJ2Y8
Facebook: www.facebook.com/JaneRisdon2
Twitter: https://twitter.com/Jane_Risdon
Thanks for coming along Jane. You've certainly lived a life most of us could never dream of! I hope you visit again soon to tell us all about your crime thrillers and Mrs Birdsong. I look forward to hearing all about it.